I totally disagree with the critical trend of discrediting Fellini's later films as symptomatic of his decline. Released December 20th, 1976, 'Fellini's Casanova' stars Donald Sutherland, Tina Aumont, Cicely Browne, Carmen Scarpitta The movie has a runtime of about 2 hr 35 min, and received a user score of 72 (out of 100) on TMDb, which collated reviews from 107 top users. When people first make their way into the catalog of silent film history, they often start with the most accessible films of the comedians like Chaplin and Keaton, but they eventually find their way to Dreyer, a man who defined the visual medium of film in movies like Vampyr and this 1928 masterpiece about the trial of Joan of Arc. 8 1/2 was at the bottom of the list for me. More Renoir on the Criterion Channel: La bête humaine, Boudu Saved From Drowning, La chienne, A Day in the Country, Elena and Her Men, French Cancan, The Golden Coach, The Lower Depths, On Purge Bébé, The River, Toni.

Reviewed in the United States on September 5, 2018. Il Bidone is an interesting work in Fellini’s filmography that often goes overlooked. (1976). In my opinion that doesn’t make up for the strains put on the narrative and the resulting inaccessibility but it does make it a unique film within the entire body of work by one of cinema’s greatest directors. Tokyo Story (Yasujiro Ozu)Like so many of Ozu’s films, Tokyo Story is both specifically Japanese and possessed of a universal emotional resonance. He knew how to use them to enhance the mood of masterpieces like The Third Man and this 1947 thriller, in which James Mason plays a political conspirator on the run, hunted by police throughout Belfast. Often cited as one of the best docs of all time, this particular Pennebaker movie from 1967 chronicles Bob Dylan’s concert tour from 1965, and really pulled back the curtain on the public image of a famous young man to reveal the true person underneath. The film follows the men in an episodic fashion as some of their cons are shown, amongst them dressing up as clergymen to cheat elderly peasant sisters out of their life savings or ripping of the poor and destitute by impersonating government workers. One of his best is this David Thewlis drama from 1993, which landed Leigh a director prize at Cannes (and an acting one for Thewlis, who has never been better than he is here). Why?Perhaps because like all great artists, Fellini realizes that in our darkest hours, we still can hold on to our memories of happier times. Aki Kaurismäki has won awards around the world and regularly premieres his films at Cannes or Berlin, where this wonderful little dramedy debuted in 2017. Meanwhile Ivan needs to keep coming up with excuses to his family as to why his bride has gone missing on their honeymoon as they are scheduled to meet the Pope. A ragout of real memories and mockumentary, as Fellini explores a childhood obsession: circus clowns. Fellini’s second film and the first one he directed as a solo directorial effort, The White Sheik is a comedy, starring Alberto Sordi, Leopoldo Trieste and Brunella Bovo. More Hitchcock on the Criterion Channel: The 39 Steps, Blackmail, Downhill, Foreign Correspondent, The Lodger, The Man Who Knew Too Much, Sabotage, Young and Innocent. In 1914, a luxury ship leaves Italy in order to scatter the ashes of a famous opera singer. The Double Life of Veronique (Krzysztof Kieslowski)If you know the work of Krzysztof Kieslowski, it’s probably because you’ve seen his Three Colours Trilogy (Blue, White, and Red) and/or might have experienced his transcendent Dekalog, but it’s entirely possible this 1991 masterpiece slid under your radar. Also his first, it stars Emmanuelle Riva and Eiji Okada as a French actress and a Japanese architect who have an affair amidst the ruins of Hiroshima. Morris uses his camera to document the indictment of Randall Dale Adams, who was accused of murdering a cop in Dallas. More Truffaut on the Criterion Channel: Antoine and Colette, Bed and Board, Confidentially Yours, Day for Night, Jules and Jim, The Last Metro, Les mistons, Love on the Run, Mississippi Mermaid, Shoot the Piano Player, The Soft Skin, Stolen Kisses, Two English Girls, Une histoire d’eau, The Woman Next Door.

It becomes the kind of film that can be paused and analyzed scene by glorious scene. A few years later, he made his directorial debut with 1950’s Variety Lights, which he co-directed, and two years after that he made his first film as a director on his own with The White Sheik, which received a lot of attention at the Venice Film Festival that year.
(She should have won.). Watch them all. Fellini's Casanova More Dardenne on the Criterion Channel: The Kid with a Bike. The Apu Trilogy (Satyajit Ray)There was a time when it seemed possible that three of the most important films of all time would never be seen in a quality format again. The film was based on an initial treatment by Michelangelo Antonioni, who lost interest in the project after it was turned into a full-fledged script by Fellini and Tullio Pinelli. So much so, that adjectives like “Fellinian” and “Fellinieque” have been devised to describe certain characteristics closely associated with the Italian master, both in cinema as well as in art in general. Amelia and Pippo are reunited after several decades to perform their old music-hall act on a TV variety show. Suffice it to say it’s a visual and tonal experience that simply mesmerizes the viewer.

Alberto Sordi and Marcello Mastroianni initially appeared in cameo performances as well but were cut out of the final film. There is something absorbing and immersive in this film that draws you back in time and again. 76 of 88 people found this review helpful. Fellini of course always had a very strong nostalgic streak in him, but this late career film brought back two of his greatest stars: his wife, Giulietta Masina, and his favourite leading man, Marcello Mastroianni. In the Mood for Love (Wong Kar-wai)Movies don’t get more hypnotic than this, a story of love and longing set in Hong Kong in 1962. It’s a deftly simple story of an old couple going to visit their grown children in Tokyo, but there’s so much buried in the framing and pacing. Varda recently passed away at 90, leaving even hard-core cinephiles wondering if they had seen enough of her influential work. Kieslowski’s use of lyrical, haunting visual imagery is breathtaking. A melancholic, sweet and nostalgic little gem which often gets overlooked, Ginger & Fred is all about the the two lead performances. an infamous 1993 fire in the Henderson’s film lab in South London.

A sex scandal lands him in prison, but an escape to … Streaming & DVD Movies Showtimes & Tickets Videos News. More Altman on the Criterion Channel: Secret Honor, Tanner ‘88. If you’re wondering what all the fuss is about, start here with a stunning coming-of-age drama about a young woman figuring out her identity and sexuality in a working class community and under the gaze of her mother’s new boyfriend, played unforgettably by Michael Fassbender. The myth of Giacomo Casanova, the notorious womanizer is presented as a pitiable and terrifying figure. Directed by. It’s a scathing, searing piece of work, and a great starting point to appreciate how smart Leigh’s films can be.

Faces (John Cassavetes)There is a great Criterion box set of films by John Cassavetes that includes five of his masterpieces, including The Killing of a Chinese Bookie and his best, A Woman Under the Influence, but neither of those are available on The Criterion Channel as of this writing, so we’ll have to take what we can get. “In this case a year of poetic rap license mattered.”. Criterion sought for years to reconstruct the films and eventually released their 4K restorations in 2015. Amelia (Masina) and Pippo (Mastroianni) used to be a very popular variety act back in their day.

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